Writing Greenwood Tree – and more

A Question of Binoculars…

Rehearsals have been in progress- broken up over the week, the time available necessarily making these short, frequent and concentrated. A week also to source props – the essential ones. Once the script was run through a few times, the essentials were narrowed down to barely three items; one of which stands out for being woven into the text, and without which the piece might actually lose a sense of place and time.
Simply put, we need binoculars. These happen to play a fairly important part in the piece throughout.
Well, not binoculars perhaps – immediately an image is conjured up of hefty field glasses. We need something a little more delicate, something you could hold in one hand (there’s a bit of business involving some snatching, physical banter so to speak); and a little bit vintage (the characters are in 20s -30s get up) so, … ah. Opera glasses. Now there’s a thought. Yes, they might do.
Head for Google. Websites. Not many, in fact. The same website for props in London pops up repeatedly, followed by vintage wedding supplies. The website that actually has opera glasses does not however indicate any price. My immediate reaction is to move away, just as I would from a beautiful window display, following the old adage: if the price isn’t showing, you probably can’t afford it.
Can I make them from scratch? Possibly. Can I make them in less than two days? Perhaps, had I the basic materials to hand (I start calculating what would be needed: small pastic bottles, tape, paint, glue, additional bits and bobs to finish off and realise this not a viable option). Can I adapt one?
Ho for home supplies, where I spot a simple black plastic little item for ₤6.00 or so. The basic shape is there. Otherwise they look hopelessly modern. I consider how long it would take to get them, and to find suitable materials to convert them into the kind of thing required. Too long.
The local hospice? I have on occasion seen the odd costume (mermaid, to be precise) but it’s a long shot as to whether they have a spare pair of opera glasses kicking about, and I don’t want to risk wasting time on it to no purpose.
It is now evening, and dress rehearsals due the next afternoon.
One more try online – a last resort, I did not expect to find anything now, yet within seconds I had an image on screen of a smart set of ‘generic horse race and opera glasses’ in wine red and chrome: they looked the part, didn’t cost much at all and offered next day delivery. Bingo! I clicked the button and arrived at rehearsals with only a slight delay, proudly bearing the prop. It feels like something of a triumph. It now only remains to source a couple of sandwiches (yes, these are props too, although how long they will last is moot point as I haven’t had any lunch yet….)

 

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No U-Turn runs Sunday 17th at the Pleasance Theatre.

No uturn 3

 

 

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